What Percent of Movies Are Original Screenplays?

What Percent of Movies Are Original Screenplays?

About 56% of movies made between 2000 and 2023 came from original screenplays. That number surprises most people. It feels like every new release is a sequel, a reboot, or a comic book adaptation. But the data tells a different story.

The reason your gut says otherwise is simple. The biggest, loudest, most-marketed films are usually built on existing IP. They grab the attention. They fill the trailers. So your brain assumes originals are rare.

They are not rare. They are just quieter.

In this guide, we break down the real percentages, why different studies report wildly different numbers, and what all of it means if you want to write screenplays for a living. Let’s start with the question that brought you here.

How Many Movies Are Actually Original?

Original movies seem rare today. But are they really?

Film data analyst Stephen Follows studied movies made from 2000 to 2023. He found that 55.9% were original screenplays. That is more than half. Round it up and you get the headline number people share: about 56%.

Here is the twist. Those same original films earned only 42.3% of the box office over that period. So originals win on count. Adaptations and sequels win on cash. Two true facts. Two very different stories.

That gap is the whole reason this question gets confusing. Let’s unpack it.

Why This Question Matters to Screenwriters

Have you ever wondered if Hollywood still wants original ideas?

This is not just trivia for film fans. If more than half of all movies start as original scripts, that means studios still need fresh stories every single year. Someone has to write them. That someone could be you.

The percentage of original films is really a measure of demand. Demand for new voices. Demand for new worlds. When you understand the real numbers, you stop fearing the franchise machine and start spotting the opening. If you want to learn the craft behind those scripts, our Screenwriting 101 course is built for exactly this moment.

The Short Answer: About 56% of Movies Are Original Screenplays

The best single estimate is 55.9%, based on movies released from 2000 to 2023.

That figure comes from one of the largest public datasets on film origins. Original movies are not disappearing. They are simply less visible than the blockbusters that dominate your feed. Keep that one number in your back pocket. The rest of this article explains why it shifts depending on who is counting.

Why the Number Changes Depending on the Dataset

The answer depends on one surprisingly important definition.

Different studies count different things. Some look at every movie released. Some look only at the top 100 earners each year. Some strip out anything touched by existing IP, even loose inspiration. Each choice moves the percentage.

Here is the quick version of why numbers diverge:

• All releases vs top earners. Small films are far more likely to be original.
• Strict vs loose originality. Some studies call a true-story film “adapted.” Others do not.
• Count vs revenue. A study can measure how many films are original, or how much money they make.

So before you trust any percentage, ask what it actually measured. Methodology beats headlines every time.

What Is an Original Screenplay?

Think of an original screenplay as a story built from a blank page.

An original screenplay is a script written from a new idea. No novel. No comic. No earlier film. The writer invents the characters, the world, and the plot from scratch. That is the core of it.

Most people confuse “original” with “indie” or “non-franchise.” Those are not the same thing. A massive studio tentpole can be original. A tiny art film can be an adaptation. Origin is about the source of the story, not the size of the budget.

Original Screenplay Meaning

An original screenplay is a film script based on a brand-new idea, not on any pre-existing work.

Think of films like Get Out, Inception, or Everything Everywhere All at Once. No book came first. No earlier movie set them up. The writer started with a blank page and a question. That is what makes a script original.

Original Screenplay vs Adapted Screenplay

The difference comes down to where the story began.

Feature	Original Screenplay	Adapted Screenplay
Source	A new idea from the writer	A book, comic, play, game, or older film
Rights needed	None for the core story	Must license the source material
Oscar category	Best Original Screenplay	Best Adapted Screenplay
Example	Juno	No Country for Old Men

The Academy splits its writing awards along this exact line. That official split is why most of the film world treats these two buckets as the standard.

Why Sequels, Remakes, and Spin-Offs Can Complicate the Definition

Is a sequel original? It depends who you ask.

A sequel uses brand-new dialogue and scenes. The script itself is freshly written. But it builds on characters and worlds from an earlier film. So it sits in a gray zone.

Here is how the messy middle usually breaks down:

• Sequels and prequels: new script, existing world. Most studies count these as not truly original.
• Remakes: a fresh take on an older film. Usually classed as adapted or derivative.
• Spin-offs: new lead, same universe. Almost always counted as derivative.

This is the single biggest reason two honest studies can disagree. One folds these into “original.” The other does not.

How Awards Bodies Classify Original and Adapted Scripts

When in doubt, the industry often looks to the Oscars.

The Academy decides each year whether a script counts as original or adapted. Their ruling sets the tone for press, agents, and writers. A few quirks are worth knowing:

• A film based on a one-woman stage show, My Big Fat Greek Wedding, was nominated for Best Original Screenplay.
• Many true-story films land in the Adapted category because they draw on published reporting.
• Memento was based on a short story, so awards bodies treated it as adapted.

These calls are not random. They follow rules about source material. And they shape how the whole industry talks about originality.

What Percent of Movies Are Original Screenplays? The Full Data

Let’s go deeper than the headline. The real answer lives in the gap between how many films are original and how much money those films make.

The Best Data Point: 55.9% of Movies from 2000 to 2023

Across all movies released from 2000 to 2023, 55.9% were original screenplays.

This comes from Stephen Follows, who analyzed origins across more than two decades of releases. The strength of this number is its scope. It looks at the whole field, not just the top earners. Forty years ago, roughly the same share of films were original. That stability is the real headline.

Original Screenplays Make Up Less Box Office Than Movie Count

Original films are released more often. They just earn less per release.

Here is the split that surprises everyone. Original screenplays were 55.9% of films but only 42.3% of box office from 2000 to 2023. Adaptations and franchises pull a bigger slice of the money with a smaller slice of the titles.

Revenue and release count measure two different things. Mix them up and you will misread the entire industry.

Why Original Movies Feel Less Common Than They Are

Ever scroll through movie listings and feel like you have seen every title before?

You are not imagining it. The biggest films almost always come from existing IP. Follows found that the ten highest-grossing movies each year were truly original only 15% of the time from 2005 to 2014. In both 2013 and 2014, not a single top-ten earner was original.

Those are the films with the giant billboards and the wall-to-wall ads. Visibility creates perception. The originals are out there. They just don’t shout as loud.

The Difference Between All Releases and Top-Grossing Movies

This is the fork in the road for almost every statistic you will read.

When you count all releases, originals win the majority. When you count only the top 100 earners each year, originals shrink fast. Same industry. Different population. The chart below shows the contrast in plain terms.

What’s measured	Share that is original
All movies, 2000 to 2023 (by count)	55.9%
All movies, 2000 to 2023 (by box office)	42.3%
Top 1,000 earners, 2005 to 2014 (strict “truly original”)	38.5%
Top 10 earners per year, 2005 to 2014	15%

Now you can see why one study says 56% and another says 38.5%. They are not fighting. They are answering different questions.

Why Do Some Studies Say Only 38.5% of Movies Are Original?

So why does one study say 56% while another says 38.5%? The answer comes down to a single word: original.

That lower number is real. It comes from the same trusted analyst. But it measures something stricter and narrower. Let’s walk through exactly how it gets there.

The “Truly Original” Definition

Original does not always mean independent. Independent does not always mean original.

Some analysts use a tougher test. They call a film “truly original” only if it is not an adaptation, sequel, prequel, spin-off, remake, or any other derivative work. Strip all of that away and the pool shrinks. Under this strict rule, only the purest blank-page stories survive the cut.

Excluding Sequels, Prequels, Spin-Offs, Remakes, and Adaptations

Think of the dataset like a sieve. Every filter removes another category of films.

When Follows applied the strict test to the top 1,000 highest-grossing US films from 2005 to 2014, only 38.5% were truly original. Watch what each filter pulls out:

• Sequels and prequels like Star Wars: Episode I
• Remakes like King Kong
• Book and comic adaptations
• Spin-offs and shared-universe entries
• Films from theme park rides, toys, and games

Some films feel original but technically are not. A movie can have a wholly fresh script and still be built on existing IP. The sieve catches those too.

Why Top-Grossing Movies Are More Likely to Use Existing IP

If you were investing $200 million, would you choose a familiar brand or an unknown idea?

That is the logic behind the data. Big budgets chase big safety. A known title comes with a built-in audience. Studios can guess the opening weekend before a single frame is shot. The numbers back this up. Follows found that films built on existing material had an average budget of $70.8 million, while truly original films averaged just $46.4 million.

Known brands don’t lower the cost of making a film. They lower the marketing risk. And for a $200 million bet, that is the part that keeps executives up at night.

How Franchise Films Change the Public Perception of Originality

Have you ever felt like every movie is part of a franchise now?

That feeling is built on the films you see most, not the films that actually get made. Franchises get the premieres, the press tours, and the toy aisles. Originals often slip into theaters with a fraction of the noise. Visibility drives perception more than volume ever could. You remember what you were shown, not what was quietly released.

Original vs Adapted Screenplays: What Counts as Adapted?

Most confusion comes from true stories and loosely inspired films. So let’s sort the adaptation categories cleanly. Once you can name them, the whole picture snaps into focus.

Movies Based on Books and Short Stories

This is the classic adaptation. A novel or short story becomes a film.

Think No Country for Old Men, The Lord of the Rings, or Harry Potter. Books bring a pre-tested audience and a proven story. From 2000 to 2023, fictional books and articles were the source for about 8.9% of movies. Real-life events were even bigger, feeding close to a fifth of all films.

Movies Based on Comics and Graphic Novels

Comics power a huge share of the modern blockbuster.

Films like Black Panther pull from decades of comic storytelling. These adaptations dominate today’s box office in a way that distorts how original the industry feels. A handful of comic franchises can swallow a whole year’s top-ten list. That visibility is exactly why audiences think originals are vanishing.

Movies Based on True Stories and Real-Life Events

Is a true story original or adapted? This one trips up almost everyone.

Real-life events were the single most common adaptation source from 2000 to 2023, behind almost a fifth of all films. Studios usually license a nonfiction book or article that covered the events. Because a published source exists, awards bodies often classify these films as adapted, even when the script feels fresh. That one rule moves a lot of films across the line.

Movies Based on TV Shows, Plays, Games, Toys, and Older Films

The adaptation net is wider than most people guess.

Source material includes far more than books and comics:

• Stage productions like plays and musicals (about 1.5% of films, 2000 to 2023)
• Previous movies, including sequels and remakes (about 11.8%)
• TV and web shows (about 0.9%)
• Toys, games, theme park rides, and myths

Many audiences forget that a toy or a video game counts as existing IP. But to a studio, that brand recognition is gold.

Why Existing Source Material Lowers Studio Risk

Existing IP acts like a financial safety net.

When a studio buys a known property, it buys audience awareness. You already know who will show up. You can test the appeal before you spend a dime on production. Studios often pay for that certainty more than for story quality. Familiarity is the product they are really buying.

How Much Box Office Comes from Original Screenplays?

Revenue concentration matters more than release count. A few giant films can tilt the entire market. So let’s look at where the money actually goes.

Original Screenplays and Domestic Box Office Share

Originals earn less than their release count suggests.

From 2000 to 2023, original films took 42.3% of the box office while making up 55.9% of releases. Zoom out further and the tracker The Numbers found that originals accounted for 46.8% of North American ticket sales from 1995 to 2025. Separate the ticket money from the film count and the picture sharpens fast.

Original Movies vs Franchise Blockbusters

A few blockbusters can distort the entire market.

Picture a year with 200 original films and 50 franchise films. If five of those franchise films each gross a billion dollars, the money chart looks franchise-heavy even though originals dominate the count. That is the trap. One mega-hit reshapes the average. Always check whether a stat counts films or dollars.

Why Adaptations Often Receive Bigger Budgets

Studios often treat famous IP like a proven investment portfolio.

Bigger budgets flow to titles with built-in fans. Remember the gap: existing-material films averaged $70.8 million, originals just $46.4 million. More budget means bigger marketing, wider releases, and higher ceilings. The result feeds itself. Adaptations earn more partly because studios spend more to make them earn more.

Why Ticket Sales Tell a Different Story Than Release Counts

Most headline statistics mix volume metrics with revenue metrics.

Release count tells you how many original films exist. Ticket sales tell you how much audiences spent on them. Both are true. Neither is the whole story.

Metric	What it reveals	Original share
Films released	Production and demand for new ideas	~56%
Box office takings	Where audience money flows	~42%

When someone quotes a single number, ask which column they pulled it from.

Are Original Screenplays Becoming Less Common?

It feels like every movie is part of a franchise. But does the data actually support that feeling?

Short answer: not the way you think. The trend is not a simple decline. It is a story of volume, visibility, and revenue moving in different directions.

Original Screenplays Declined in the Late 1990s and 2000s

Studios chased certainty, not experimentation. They chased familiarity, not originality.

The DVD boom and the rise of the modern blockbuster pushed studios toward safe bets. Franchises proved they could print money across theaters and home video. So the share of original films dipped through the late 1990s and 2000s. This is the era that planted the “Hollywood is out of ideas” belief.

Original Screenplays Rose Again in the 2010s

Just when many people thought originality was fading, new voices started breaking through.

The number of original films climbed back up through the late 2000s and 2010s. Streaming services and specialty distributors created new homes for mid-budget original stories. Films that once struggled to find a theater now find an audience online. So by film count, originals never actually vanished. They rebounded.

Why the Biggest Movies Still Feel More Derivative

Here is the catch. The box office share of originals kept falling even as their count rose.

In 1984, original screenplays earned 73% of the box office. By 2023, that figure had dropped to just 30.6%. So originals are made just as often, but the giant earners are increasingly franchise films. The biggest movies get the biggest campaigns. Their dominance at the top of the chart shapes how the whole industry feels.

The Role of Streaming, Franchises, and Audience Habits

The next shift in originality may not come from theaters at all.

Streaming changed where original stories live more than how many get made. A bold original film that once needed a theatrical gamble can now launch straight to millions of homes. At the same time, franchises lock up the theatrical calendar. Audience habits split in two. One crowd hunts for the new on streaming. Another buys tickets for the familiar.

Why Hollywood Still Buys Original Screenplays

Studios love franchises. But every franchise started as an original idea. That single fact is your opening as a writer.

Original Scripts Can Launch New Franchises

Every mighty oak starts as a small acorn.

Studios need fresh ideas because franchises eventually run dry. Star Wars, The Matrix, and Get Out all began as standalone original scripts. The next billion-dollar universe is sitting in someone’s first draft right now. Studios know this. That is why they keep reading original material, hoping to find the next big thing before a competitor does.

Spec Scripts Still Matter for Screenwriters

Maybe you have wondered if writing a spec script is still worth the effort.

It is. A spec script is an original screenplay you write on your own, without a studio paying you first. Most specs do not sell. But that is not the only point. A strong spec proves you can write. It opens doors to agents, managers, and writing rooms. Many careers start with a script that never gets made. Want to package and pitch yours like a pro? Our Pitching and Packaging course shows you how.

High-Concept Thrillers, Action Films, and Comedies Sell

Concept often sells before execution in commercial markets.

Some original genres carry strong commercial appeal. A clear, gripping hook is easy for a studio to picture and easy to market. The strongest sellers tend to be:

• High-concept thrillers with a one-line premise that grabs you
• Action films with global, dialogue-light appeal
• Comedies with a fresh voice and a clear audience
• Horror, which delivers big returns on small budgets

Horror in particular rewards originality. If that’s your lane, our Horror Movie Screenplay Writing course digs into what makes a fresh scare sell.

Original Ideas Help Studios Fight Franchise Fatigue

The next major franchise may be sitting in an unsold screenplay right now.

Audiences eventually tire of more of the same. When a few big sequels flop, studios scramble for something new. Every market cycle swings back toward fresh ideas. Original scripts are how studios reset and surprise their audience again. Your timing might be better than you think.

Famous Original Screenplay Examples

Data is one thing. Proof is another. These original screenplays show what a blank page can become.

Get Out

What made audiences talk about this movie long after the credits rolled?

Jordan Peele built Get Out from a fresh concept and sharp social commentary. No book. No prior film. Just an original idea executed with precision. It earned Peele an Oscar for Best Original Screenplay and launched a directing career. The lesson: a bold concept plus a clear point of view can become a cultural event.

Juno

Diablo Cody wrote Juno with a voice nobody had heard before. The dialogue crackled. The tone balanced comedy and heart. Cody went from first-time screenwriter to Oscar winner. The takeaway for writers: a singular voice can carry an original script all the way to the top.

Her

Spike Jonze took a simple premise, a man falls in love with his AI, and turned it into something profound. Her proves that originality is not about spectacle. It is about a fresh question asked with real feeling. Small premise. Big emotional reach.

Eternal Sunshine of the Spotless Mind

Charlie Kaufman built a story that folds time and memory in on itself. The structure alone felt brand new. Eternal Sunshine shows that originality can live in form, not just plot. How you tell the story can be the idea.

Little Miss Sunshine

A small family road-trip movie became a breakout hit and an Oscar winner for its original script. Little Miss Sunshine proves that character-driven originals do not need a huge budget. A real, specific family can outshine any explosion.

Everything Everywhere All at Once

It was strange, yet accessible. Ambitious, yet emotional.

The Daniels wrote a wildly original multiverse story that swept the Oscars, including Best Original Screenplay. Audiences embraced something genuinely new. Everything Everywhere All at Once is your proof that originality still wins, even at the highest level.

Famous Adapted Screenplay Examples

Adapted does not mean uncreative. These scripts took existing material and made something unforgettable.

No Country for Old Men

The Coen brothers adapted Cormac McCarthy’s novel almost beat for beat. Yet the film feels wholly cinematic. Faithful adaptation is not copying. It is translation. Knowing what to keep and what to cut is its own craft.

Moonlight

Most people assume Oscar winners come from famous novels. Moonlight grew from an unproduced play, In Moonlight Black Boys Look Blue. It won Best Adapted Screenplay. Many great adaptations start from small, unknown works rather than bestsellers.

Memento

Is a film original if it is based on a short story?

Christopher Nolan’s Memento came from a short story by his brother Jonathan. Because a written source existed, awards bodies treated it as adapted, even though it feels boldly original. It is the perfect example of why classification gets messy.

Black Panther

Marvel adapted decades of comic storytelling into a global phenomenon. Black Panther shows how comic adaptations anchor modern blockbuster economics. A built-in fan base reduced the marketing risk before a single ticket sold.

The Lord of the Rings

Condensing Tolkien’s sprawling novels into films was a monumental task. The writers had to cut, compress, and restructure without losing the soul. The Lord of the Rings proves adaptation can be as demanding as any original work.

Harry Potter

The Harry Potter films arrived with the bestselling book series of all time behind them. That ready-made fan base slashed marketing uncertainty. The first film alone crossed $1 billion. It is the clearest case study in how existing IP de-risks a studio bet.

What This Means for New Screenwriters

Forget the percentages for a second. Here is the part that actually matters for your career.

Original Scripts Are Still Produced

More than half of all movies still start as original scripts. That demand is real and ongoing.

Remember the core split: volume versus visibility. Originals get made constantly. They just don’t always get the billboard. So if you are writing original work, you are not swimming against the tide. You are feeding a steady, ongoing need.

Studios Prefer Clear Concepts and Strong Hooks

A marketable concept often opens doors before execution is evaluated.

Studios buy ideas they can picture and sell. Before you write 110 pages, sharpen your logline. Can you describe your film in one gripping sentence? If a reader can see the poster and the trailer in their head, you are halfway there. Concept first. Polish second.

A Great Original Screenplay Can Work as a Writing Sample

Many careers start from scripts that never sell.

Even if your original script never reaches the screen, it can prove your talent. Producers and showrunners read specs to find new writers. A strong sample can land you a staffing job, an assignment, or a meeting that changes everything. Your script is a calling card, not just a product.

Writers Should Understand Both Original and Adapted Markets

Professional writers often work in both spaces.

The smartest screenwriters do not pick a side. They write original specs to show their voice and take adaptation assignments to pay the bills and build credits. Knowing how both markets work makes you more hireable. If TV is your goal, the same logic applies, and our TV Pilot Lab helps you build an original pilot that gets you in the room.

Common Myths About Original Screenplays

A few stubborn myths keep new writers stuck. Let’s clear them with the data.

Myth: Hollywood Does Not Make Original Movies Anymore

Reality: about 56% of movies from 2000 to 2023 were original screenplays.

This myth survives because the biggest films are usually franchises. But by count, originals are the majority. They are made every year. You just have to look past the top ten earners to see them.

Myth: Adapted Screenplays Are Easier to Write

Is adapting really the easy path? Not at all.

Adaptation means cutting a 400-page novel into 110 pages without losing its heart. It means honoring a fan base while making bold choices. That is a distinct and demanding skill. Different from original writing, but not easier.

Myth: Original Screenplays Cannot Become Blockbusters

Reality: Avatar, Inception, and Up were all truly original and all massive hits.

Original films can absolutely break records. They simply do it less often than franchises because studios pour bigger budgets into known IP. The ceiling for an original is high. The path is just steeper.

Myth: Only Existing IP Gets Bought

If that were true, no new franchise would ever exist.

Studios buy original scripts every year, hoping to launch the next big universe. Many working writers entered Hollywood through an original spec, not an adaptation. The door is open. You just have to bring something worth buying.

Frequently Asked Questions

What Percent of Movies Are Original Screenplays?

About 56% of movies made between 2000 and 2023 were original screenplays, based on film-data research by Stephen Follows. The exact figure is 55.9%. The number drops to 38.5% if you only count the top 1,000 highest-grossing films and use a strict “truly original” definition that excludes sequels, remakes, and all derivatives.

Are Most Movies Original or Adapted?

By release count, most movies are original. Around 56% of films from 2000 to 2023 came from original screenplays. By box office revenue, the balance flips. Adaptations and franchises earn the larger share of money, taking close to 58% of takings over the same period. So originals win on volume, while adaptations win on cash.

What Is the Difference Between an Original and Adapted Screenplay?

An original screenplay starts from a brand-new idea with no pre-existing source. An adapted screenplay is based on a book, comic, play, game, true story, or earlier film. The Oscars split their writing awards along this exact line, with Best Original Screenplay and Best Adapted Screenplay as separate categories.

Are Sequels Considered Original Screenplays?

Usually not. A sequel uses a freshly written script, but it builds on characters and a world from an earlier film. Most studies and awards bodies count sequels as derivative rather than truly original. This is one of the biggest reasons different originality studies report different percentages.

Why Does Hollywood Prefer Adaptations?

Adaptations reduce risk. Existing IP comes with a built-in audience, so studios can predict demand before filming begins. Known brands lower marketing uncertainty more than they lower production cost. That is why films based on existing material averaged $70.8 million in budget, while truly original films averaged $46.4 million.

Do Original Screenplays Make Less Money?

On average, yes. Original films took about 42% of the box office from 2000 to 2023 while making up 56% of releases. Franchises and adaptations earn more per film because they get bigger budgets and wider marketing. But individual originals like Avatar and Inception have earned massive sums.

Can a New Writer Sell an Original Screenplay?

Yes. Studios buy original scripts every year, and many writers break in through a strong spec. Even when a spec does not sell, it serves as a writing sample that can land representation or a staff job. A clear concept and a sharp hook matter more than a famous name.

What Genres Are Best for Original Screenplays?

High-concept thrillers, action films, comedies, and horror tend to sell well as originals. These genres carry a clear, marketable hook that studios can picture instantly. Horror is especially strong because it delivers high returns on a low budget, which lowers the studio’s risk.

Are Book Adaptations More Successful Than Original Scripts?

Financially, book adaptations often outperform originals. Research shows films based on books earn around 53% more revenue worldwide than original screenplays. The built-in fan base drives ticket sales. That said, success rates vary widely, and many originals outperform forgettable adaptations.

Should I Write an Original Screenplay or an Adaptation?

Start with an original. An original spec shows your unique voice and proves you can build a story from scratch, which is what agents and producers want to see. Once you have credits, you can take adaptation assignments. Most working screenwriters move between both markets throughout their careers.

Conclusion: Original Screenplays Are Still a Major Part of the Movie Industry

So where does this leave us? With a clear, encouraging answer.

The Best Estimate Is About 56%

The number is not 10%. It is not 20%. The best estimate sits much closer to 56%. That figure holds steady across decades, even if stricter definitions of the top earners push it lower.

Original Movies Are More Common Than They Feel

If you have felt like every movie today belongs to a franchise, you are not alone. But that feeling comes from visibility, not volume. Originals are made constantly. They just don’t dominate the billboards the way blockbusters do.

Box Office Attention Still Favors Adaptations and Franchises

Adaptations often earn more money. Original films are often released more frequently. Both facts are true at once. Revenue leadership does not equal production dominance, and keeping those two ideas separate is the key to reading any film statistic correctly.

New Screenwriters Should Keep Developing Original Ideas

The grass is not always greener on the other side. Sometimes the opportunity is already in front of you. Original scripts work two ways. They can sell, and they can open doors as writing samples. The industry rewards writers who stay ready.

Keep developing original ideas. Hollywood may be looking for the next original story sooner than you think.

Ready to write yours? Start with Screenwriting 101, or book a private consultation to get expert eyes on your idea. Your blank page is waiting.